Flashy filmed performance of a Broadway stage play. Set in the late 1970s, a young black musician rebels against his church-going, middle-class, South Central roots by traveling the world in an effort to experience something “real” in life. Los Angeles performance artist Stew narrates what is essentially a concert trip through a dizzying number of musical styles that touch upon gospel, punk, blues, jazz, and rock. The ubiquitous score is excellent, but it’s surrounded by an incredibly stagy artifice with a noticeable lack of sets, that feels overly avant-garde. We’re constantly reminded that this is a filmed play. Even the acting is affected and unnatural. The passion felt by those who were in attendance in that theater is not the same emotion felt as a viewer watching it on a screen. Brilliantly catchy songs include: “Love Like That”, “Amsterdam” and “We Just Had Sex”.