The Fifth Element

PhotobucketOkay, so there’s this thing see, called the Great Evil, and it appears every 5000 years. It manifests itself as this huge amorphous orb of black fire the size of a planet and its solitary goal is to annihilate all life. It’s virtually unstoppable, but there’s hope. A weapon consisting of four stones, representing the basic elements – water, fire, earth and air – can be assembled to stop the threat. But to unlock this extraordinary power, a uniquely “perfect” human must be combined with these other four elements first. Flash forward to the year 2263 where the Great Evil has suddenly appeared and is approaching Earth with intent to destroy. Meanwhile, a divine visitor from another planet has been restored from DNA in a scientific lab, but she’s frightened by her unfamiliar surroundings. Upon escaping, she literally crashes through the roof of a cab driven by taxi driver Korben Dallas. Together they endeavor to find the missing stones before the wicked Jean-Baptiste Emanuel Zorg can. Why? So they can save the world, of course.

If that plot description sounds loopy, you’d be right. And that’s what makes this French/American space adventure story so intoxicating. Apparently, writer/director Luc Besson began the script for The Fifth Element when he was only 16 years old. The naïve perspective benefits the material; the refreshingly straightforward conflict between good and evil is explored in a most satisfying way. Besson was influenced by the French comic books he read as a teenager and the production features all of the attributes of their stylish color and composition. Any frame of film could easily be frozen as a panel, completed with dialogue bubbles and the tableau would make a fine publication.

The production is ridiculously over the top. The incredibly detailed sets are visually stunning. From the futuristic 3-D highways of Brooklyn New York to the backdrop of planet Earth during the opera concert on Planet Fhloston, every scene is a feast for the eyes. But even that clichéd phrase simply does not do this display justice.

Of course none of this ridiculousness would even work if we didn’t have a flawlessly cast picture full of larger than life characters that truly engage. Bruce Willis is a retired elite Special Forces military hero who currently drives a taxi. He’s got confidence to spare but with a sarcastic world-weary demeanor. He grounds the movie as we identify with his detachment of the peculiar state of the world around him. Milla Jovovich is Leeloo an otherworldly being that captivates his interest. She’s sufficiently “exotic“, speaking a fictional language with limited vocabulary. It’s worth mentioning the significant contributions of actors Gary Oldman and Ian Holm as well. Even former wrestler Tom Lister, Jr. appears as The President. Now that’s inspired casting. But the most memorable portrayal of all occurs roughly halfway in when popular radio talk show host DJ Ruby Rhod, played by comedian Chris Tucker, makes his entrance. Sashaying flamboyantly in a leopard print robe one moment, then making aggressive sexual advances toward pretty young stewardesses the next. Possessing a high pitched voice on helium, Ruby buzzes people away with a flick of his hand. He’s like Prince, Steve Urkel, Little Richard and Dennis Rodman all rolled up in the same person. It’s an admittedly polarizing performance, but an achievement that perfectly defines the utter outrageousness of the drama. Without question, among the most unforgettable entrances I’ve ever seen in a film. He should have been nominated for an Academy Award. Yeah, I said it.

The actors are complemented by a sensational array of costumes that were created by French fashion designer Jean Paul Gaultier, each more bizarre than the next. His trademark nautical chic is evident in the sailor and captain suits of the resort workers, but we’ve also got ultra sexy stewardesses that would give a Las Vegas showgirl pause. Those uniforms at the Mc Donald’s are pretty revealing too. And don’t forget the carefully placed white tape of the barely-there “dress” that Leeloo sports after she’s first re-created from DNA. The tone is always tongue in cheek. The alien opera diva is a suitably mesmerizing marvel of silky powder blue skin and tentacles. Check out the amusing nod to Princess Leia on the stocky policewoman that shows up at Korben’s apartment. The personalities occasionally reference the past, but Besson ultimately makes the distinct vision all his own.

For me, The Fifth Element embodies the phrase “cinematically dazzling” more than any other picture. Production design, fashion, music, an international cast, all of it integrated to form a shining model of a sensory celebration. There have certainly been flicks that have been equally stylish, but none to surpass it. French director Luc Besson has been a highly successful force in movie making. One of the most ”Hollywood” of all French filmmakers, he has perhaps grown somewhat more mainstream and predictable as time has passed. The Fifth Element remains his transcendent combination of artistry and commerce. Besson’s delightful rumination on good vs. evil creates excitement. It’s uplifting in it’s naïveté, the triumph of love. Naturally these positives wouldn’t matter if we didn’t have individuals we actually cared about. There’s a palpable joie de vivre here, rarely this tangible in big budget science fiction. That feeling is underscored throughout the film concluding with the final shot.

The following article was published by SBSFilm at My Favourite Film

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9 Responses to “The Fifth Element”

  1. Loved your review, Mark! I definitely need to watch this. I remember seeing bits and pieces on TV when I was little but I don’t think I’ve watched the whole movie. Chris Tucker’s performance and the alien opera singer have stuck with me, though.

  2. John C. Baker Says:

    Milla Jovovich was great in this movie, and her conversations in the “alien language” sounded so natural that you’d think it was a real foreign language in which she was fluent. Unfortunately, she was typecast into “action lady” after this. And heck, I agree with you about Chris Tucker. He was perfect in both this and the first Rush Hour. After that, his schtick got old fast.

    • Yeah everyone was at the top of their game here. Milla did do a film in 2003 called Dummy which was a surprising break from her routine action hero roles. Chris Tucker is such a talent. I wish he would’ve acted more.

  3. I guess I should see this, then! A great review to get published!

  4. Great review Mark, I loved the ‘Fifth Element’!

    I remember watching it for the first time years ago and just loving the adventure, the humour, the action sequences, and surprisingly the dialogue.

    I think I felt about watching it the same way that some people felt watching ‘Raiders of the Lost Ark’, it was just pure adventure.

    I do hold a different opinion about Chris Tucker and his character though…I felt that he was the weakest part of the movie. His performance really annoyed me and I really kept wishing that he would have less screen-time. I know that his character was supposed to be over the top and really loud but I just felt that he was a little too much.

    I could watch the Diva Opera scene on repeat. Not only is the song beautiful but the action that followed was inspired.

    A great film!

  5. I’m watching this right this very miment. Enjoyable, but why is it your favorite Willis film, especially above Die Hard? Review coming soon. HNY.

    • Really? I love Die Hard but The Fifth Element aims so much higher. The artistry is just incredible. It’s just the difference between a filet mignon and a Big Mac in my opinion.

      Happy New Year to you too!!

  6. Hi Mark, i agree that the artistry is a standout.

    But i didn’t like their approach to the story. I thought it was all too jokey and comedic. and because of this, i didn’t care much about the characters or situation.

    But i also understand that Sci Fi films don’t have to be so dark. But The Fifth Element, goes too far in the opposite direction. And Chris Tucker was too much. i thought His comedic segment totally diffused the intensity as the film approached the final act.

    And the thing about this approach. is that it makes the story more predictable. Because many things are taken lightly, you more or less know its gonna have a happy ending.

    so i guess i am curious. Do you prefer Sci Films that are done in this way? not serious and Artistic?

    • I like both. Depends on how the film executes the style. This was so well done and Chris Tucker was anything but predictable. That’s what I found so mesmerizing was his unpredictability.

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