Thomas (Dylan O’Brien ) wakes up in a mysterious community of teenaged boys with no recollection of who he is or how he got there. He soon learns he is in The Glade, a habitat surrounded by a massive maze. Every teen (known as a Glader) has been entrusted with an important purpose within the colony, not the least of which is the Runner. These are the people who explore the Maze in an effort to map a way out of the tiny territory in which they are trapped. Complicating matters are large mechanical spider-like creatures they call Grievers which patrol the maze making escape even harder.
With one exception, all the adolescents look like they are on special diets, work out constantly to maintain a lean frame and have less than 15% body fat. I happen to know The Maze Runner was shot in Baton Rouge, LA, but it feels more like that other LA in California. There’s one departure from the standard selections from Central Casting – a chubby boy named Chuck (Blake Cooper) who, with his more unique appearance, becomes the most interesting personality by default. Oh but brace yourself because his story arc is extremely frustrating. The guys appear to represent ethnicities from every corner of the globe, yet all speak with an American accent. Again there’s one deviation, Newt (Thomas Brodie-Sangster) who’s like the second in command. Everyone sports nicely coifed hair and clean casual wear that is tailored to fit perfectly. I wouldn’t have noticed any of this had the drama been more compelling. Sadly when the only narrative is simply “boys vs. mechanical monsters”, your mind tends to deliberate over the peculiarities of the film.
The Maze Runner starts out mildly intriguing. The set up is curious enough that we want to see how things will develop. These youths in the wild get along pretty well for the most part. Everybody seems cool with the distribution of tasks, with sole objections coming from Gally (Will Poulter). It’s a variation of Lord of the Flies minus the commentary that made that novel interesting, the idea that man is inherently barbaric. Unfortunately more substance is sorely needed. As the saga progresses, it doesn’t really develop into anything at all. By the end we’re left with a supremely unsatisfying ending that basically says, this is only the beginning. Stay tuned for the sequel: The Scorch Trials. This adaptation is based on the teen lit bestseller by James Dashner. To the uninitiated, it’s hard to understand how this flimsy plot could sustain an entire book. In fact, it was so popular he wrote 3 sequels. Readers that can fill in the many unexplained details, will surely enjoy this more. Not having read the text, the movie could barely hold my attention for part 1, so part 2? Uh no thanks. The thought is anything but a-MAZE-zing.