Let’s see if I can simplify this for the uninitiated. There’s this thing called the Aether see, and it’s a power stone that can be used as a weapon. Actually it’s one of 6 stones in the Infinity Gauntlet. Ah but I’m getting ahead of myself here. The main baddie is Malekith (unrecognizable Christopher Eccleston), ruler of the Dark Elves, who wants to plunge the world into eternal darkness because well that‘s what villains do. He’s out for revenge or something. Anyway, Thor’s earth girlfriend, Jane, is inadvertently infected by the Aether following her teleportation to another realm. Malekith is somehow aware of this occurrence and now he‘s pursuing her. Side note: Thor is still in love with Jane and vice versa. Thor’s evil brother is currently in prison on Asgard for the war crimes he committed on Earth in Thor. However, Loki happens to knows of a secret portal to Malekith’s world so Thor must appeal to him for help.
The first half of Thor: The Dark World is needlessly complicated. You can probably tell from my encapsulation of just a mere fraction of the narrative. Additionally, it has more roles than a Shakespearean play. With names like Malekith, Algrim and Frigga, a playbill would’ve been helpful. Everyone finally restores peace to the 9 realms. On one, Vanaheim, there’s Lady Sif (Jaimie Alexander) and this group called the Warriors Three – Fandral (Zachary Levi), Volstagg (Ray Stevenson), and Hogun (Tadanobu Asano). The quartet of combatants reminded me of a band of vampires you might find in the Twilight franchise.
The lifeless introductory crawl of Thor: The Dark World is overly concerned with set up and exposition. It’s rather boring. Luckily, about halfway through things get moving. In fact I can specifically pinpoint the moment at which the tale is transformed. It occurs the second they free Loki from his prison. Thor and Loki are walking together and Loki starts shapeshifting both of them into various disguises as different people. It’s an amusing display and where the picture finally finds its humor. I still like Chris Hemsworth. He has a presence (physique, acting, smile) that makes him ideally suited for the Norse god. Yet Tom Hiddleston is so engaging that Thor is essentially reduced to a supporting actor in his own film. I dare say this is the Loki show.
Thor: The Dark World is saved by Tom Hiddleston. In a production with an astounding number of characters vying for attention, he stands out head and shoulders above the rest. I’ll credit the script as well which makes his “villain” the juiciest part. While he’s kept locked up in prison during the problematic first half, the story looks to be a dud. The overreliance on computer graphics were accomplished by a mind-blowing seven (7) VFX studios. At times the special effects threaten to asphyxiate the proceedings. Once Loki is released, the plot eventually regains its footing. It’s the human element that makes these superhero movies work. His performance and a more lighthearted touch in the second half elevate this fantasy into fun entertainment. This is a superhero movie after all, not some dour historical epic. Thanks to Hiddleston’s solid portrayal, the action ultimately becomes a rousing good time.
Note: By now, Marvel should have you conditioned to remain in your seat until the very end of one of their productions, but just in case you haven‘t been properly trained: There is the traditional ending, a mid-credits scene and then a post sequence after the final credits. Stay for all of them, although one vignette won’t make any make sense to filmgoers unfamiliar with next summer’s Guardians of the Galaxy.