So Jay and her boyfriend, Hugh, have consensual sex. Afterwards everything seems pleasant enough, but suddenly he drugs her and ties her to a chair. His intention is for her to visually acknowledge a presence that is now beholden to pursue her. Seeing is believing. That entity is a shapeshifting creature that can assume the appearance of any person, either a stranger or someone you know. It advances by walking slowly, as a zombie would, with the sole purpose to kill the accursed victim. Hugh explains that in order to get rid of this “boogeyman” she must likewise be intimate with another person. The set-up is sort of a rewrite of The Ring but with STDs instead of a video tape. “Because horror movies were just getting too classy,” I carped when I originally read that description. Despite the tawdry construct, It Follows is far more stylish than the great majority of horror films.
These entitled white teens live in a world seemingly devoid of parents. There’s our lead heroine Jay, a 19 year old college student living in the suburbs of Detroit. Actress Maika Monroe compares favorably with iconic scream queens like Jamie Lee Curtis or Adrienne Barbeau. . She’s perhaps a bit more vulnerable with her doe-eyed looks but captivating nonetheless. It would appear that she hasn’t been seeing her boyfriend Hugh (Jake Weary) for that long. However he is someone with whom she has formed a connection. Jay hangs out with a tight knit group of friends as well. There’s her sister Kelly (Lili Sepe), buddy Yara (Olivia Luccardi) and nerdy lovestruck Paul (Keir Gilchrist). There’s also her neighbor Greg (Daniel Zovatto), a cool operator with the ladies. Johnny Depp would’ve played this guy in 1984.
Writer/director David Robert Mitchell has only released two films, but It Follows looks and sounds like the work of an experienced auteur. It’s a throwback to seminal horror of the late 70s and early 80s. The atmosphere invokes old John Carpenter movies you’d watch on VHS tapes. The production is a testament to how important cinematography and music are able to easily evoke a mood. The soft focus gives the proceedings the veneer of music videos from MTV’s infancy. Languid shots of the photogenic faces of young adults who do appear to have a more reflective take on their own predicament than the typical juveniles of this genre. Music is by Disasterpeace, the nom de plum of Rich Vreeland. His elegant synthesizer pieces are so expressive. I fantasize about him throwing some really exclusive dinner party where the guest list includes composers Cliff Martinez and Mica Levi. Oh man I’d love to get an invitation to that get together. His work recalls John Carpenter’s theme from Halloween and Giorgio Moroder’s score for Cat People . I think it’s even set during that era. Check out that ancient black and white TV set with 13 channels and there isn’t a computer in sight.
What defines “it” in It Follows is actually never quite understood either by these characters or correspondingly by the audience. What we do know is that physical intimacy is how you become afflicted. It’s too easy to draw analogies to an STD so I’ll spare you the metaphors. Sex = death in most horror movies but this one actually encourages adolescents to keep doing it in order to alleviate their plight. Once Jay has been brought into the ordeal, she is forever fearful of being pursued. That stalker can take the form of a stranger. It might appear as a loved one. The narrative brilliantly details this fear until the final quarter where it falls apart complete with a hazy conclusion. The screenplay doesn’t hold up in the end but for most of this feature, it’s pretty entertaining. Its artistic aspirations have some critics hailing this as the best horror film in years. So let’s think about that for a minute. Uh survey says (pause) “X” buzzer sound. Sorry The Babadook easily holds that title. That is a modern classic and should keep the distinction for awhile. Even underrated gems like Oculus and Sinister might vie for 2nd place. But It Follows is extremely good. A possible contender for finest horror flick of 2015. The year’s not over yet. Script deficiencies are where it comes up short but in terms of cinematic mood, It Follows is a handsomely made film.