One wouldn’t think the seventh entry in a series would be cause for excitement, but X-Men: Days of Future Past (DOFP) is a rousing episode in the franchise. For one thing, it is a deft merger of X-Men films. The cast of the original trilogy is united with their younger counterparts of the 2011 prequel X-Men: First Class. It’s a tribute to Simon Kinberg’s script that for all its characters and detailed exposition, DOFP still manages to present an intelligible story. The time-traveling that begins with a dystopian future in the year 2023 then jumps back to 1973 where most of the chronicle takes place. A word of caution: anyone not up on their X-Men history will require a brief primer to bring yourself up to speed with mutant lore. In addition to the ever-shifting allegiances and objectives, there’s a host of new people. The Avengers had a meager 6 superheroes. DOFP has an astounding 20+ mutants. Thankfully most of these (Storm, Iceman, Bishop, Colossus) are merely window dressing in the background. Others get a few lines (Shadowcat, Beast, Quicksilver). Only Wolverine, Mystique (Raven), Professor X and Magneto are truly indispensable mutants. The narrative wisely focuses on them.
The majority of DOFP takes place a decade after the events of First Class in 1973. A smart move, given that it was the previous apex of this anthology. Dr. Bolivar Trask (Peter Dinklage) is an important new villain. A dangerous extremist, he advocates robots called Sentinels to protect humans from the mutant threat. We’re presented an alternate storyline of what originally happened. In an effort to put an end to his madness, Mystique assassinated him. Ironically this would ultimately cause more harm than good. As a result, she is captured and her shapeshifting power is harnessed to engineer the unstoppable Sentinel robots. They ultimately lead to the complete annihilation of life as we know it. That’s the grim scene that opens the film. So the mutants decide to send Wolverine back in time to stop Mystique from causing an event that triggers the Sentimental program. Will the mutants be successful? Wolverine will have to enlist the help of their younger mutant selves.
X-Men: Days of Future Past is the very best of a decent franchise. It marks the return of director Bryan Singer who helmed the first two respected entries before the collection took a serious nosedive with X-Men: The Last Stand (2006) and those two Wolverine-centric movies. He entertainingly combines multiple entries into a coherent tale that conveniently incorporates a lot of fan service. That this doesn’t feel like the climax it should be, but rather another setup to further sequels is a bit regrettable. DOFP doesn’t introduce innovation to the formula. “Humans cannot be trusted” vs. “Can’t we all just get along?” mentalities continue to propel the dramatic discussion with Magneto and Professor X each representing the respective arguments. But why quibble? There are great moments here that transcend all others in the series. Chief among them is a jailbreak featuring new mutant Quicksilver (Evan Peters) who can move at supersonic speeds. He must free Magneto from a prison cell beneath The Pentagon at one point. How he accomplishes the task is a dazzling sequence in slow motion that displays more inventiveness and wit than anything else in the entire picture. It’s a peak that kind of makes you wish the whole saga had been about him.