Movie adaptation of the memoir written by United States Navy SEAL Chris Kyle exists between the taught, tension filled investigation of The Hurt Locker and the overt rah rah jingoism of Lone Survivor. Kyle served four tours in the Iraq War and during that time, he had at least 160 confirmed kills by the Pentagon’s count, but 255 probable by his own calculation. Eastwood touches on his early years but the majority of the picture is devoted to Kyle’s military service, It is an often sobering account of how the most lethal sniper in American military history conducted his business in the Iraq War. As such it is Clint Eastwood’s best film in years.
Bradley Cooper handles the role with seriousness and humility. The actor fleshes out a character with pure sincerity. Although Chris remains a bit inscrutable, his devotion to his purpose and why he does what he does, is clear. The Navy SEAL is shown to be a perceptive man who understands the severity of what he does. His actions have grave consequences. Bradley Cooper looks quite different physically here. At 6-foot-2, 230 pounds, Chris Kyle was a large guy. Bradley Cooper sports a beard and packs on 40 lbs of muscle to become the man. With her reddish brown hair and American accent, Sienna Miller is virtually unrecognizable as well in a fundamental supporting part as his wife Taya Kyle.
Eastwood is effective at contrasting the difference between a sniper’s job from the troops fighting on the ground. To be honest, Kyle takes on this duty as well when he cannot be of help on the rooftops. As a sharpshooter, we are presented with the emotionally difficult decisions he must make from a distance. He weighs the importance of what he is about to do with the lasting results. Is this an innocent civilian or a dangerous enemy that threatens American lives? Not every assassin looks like a human killing machine trained for combat. Warning: the most compelling scene that illustrates this is in the trailer.
The negative effects his service had on his marriage is understandable but they’re the kind of well worn issues oft dramatized. Chris Kyle is a career solider. We understand his desire to keep going back to Iraq. He has developed a reputation as a legend and he is driven to contribute to the cause. Meanwhile his growing detachment from domestic life becomes problematic. He volunteers to return for a total of four separate tours and it weighs heavily on his marriage. If there’s a mission that keeps him coming back, it is the unfinished pursuit of a Syrian marksman (Sammy Sheik) who is his counterpart on the opposite side. But his wife and kids need him too. This dilemma forms a persistent idea in the second half.
American Sniper is a solid well constructed effort that is arguably Clint Eastwood’s best since Gran Torino. I would support that assertion anyway. But it’s also rather predictable. The depiction hits the familiar beats you‘d expect the bio of a dedicated solider to address. Whether the deadliest sniper in U.S. history is a hero is not even a topic up for discussion. It is just presented as fact. The reverential portrait is a tribute that honors the man. The way this affected his personal life is a key aspect. The ongoing effect that war has on an individual’s psyche as well as his family are thoughtfully addressed, but there’s never anything particularly revelatory added to the conversation.