Archive for 1974

Spotlight on Scorsese: Alice Doesn’t Live Here Anymore (Fast Film Reviews)

Posted in Drama, Romance with tags on April 2, 2013 by Mark Hobin

Mark Hobin:

I’ve been a loyal reader of the nifty film review blog that Andy Swinnerton maintains over at Rorschach Reviews for some time. Recently he decided to spotlight director Martin Scorsese and invited his readers to contribute reviews on his films.

I made the somewhat unpredictable choice of Scorsese’s fourth film Alice Doesn’t Live Here Anymore. Still well regarded, it’s rarely included on the shortlist of his greatest films these days. Yet I still consider it one of his finest achievements. I think I make a pretty good case for it. Please check out my review on his site by clicking on the link above.

Originally posted on Rorschach Reviews:

Mark Hobin is the man behind Fast Film Reviews and the second contributor to my Spotlight on Scorsese guest review series.  The second blog I ever clicked “Follow” on, Fast Film Reviews remains one of my go-to sources for reviews of new releases and more.  You can follow Mark’s blog here or check out our blogger interview here.

Alice_Doesn't_Live_Here_Anymore

Alice Hyatt, a recently widowed mother with a 10 year old son, is on the cusp of starting anew. Her journey out west is an odyssey of sorts – to re-ignite the singing career she abandoned when she got married. The plot is formed from a series of vignettes as she heads out west to Monterey, California, her childhood home. On the way while in Phoenix, Arizona, she attempts to secure work as a singer in a seedy lounge to earn some extra cash. It’s one of many obstacles to come.

View original 547 more words

Alice Doesn’t Live Here Anymore

Posted in Drama, Romance with tags on March 9, 2012 by Mark Hobin

PhotobucketAlice Hyatt, a recently widowed mother with a 10 year old son, is on the cusp of starting anew. Her journey out west is an odyssey of sorts – to re-ignite the singing career she abandoned when she got married. The plot is formed from a series of vignettes as she heads out west to Monterey, California, her childhood home. On the way while in Phoenix, Arizona, she attempts to secure work as a singer in a seedy lounge to earn some extra cash. It’s one of many obstacles to come.

The story is anchored by Ellen Burstyn’s flawless achievement. She commands our attention by the sheer sincerity of her portrayal. Ellen Burstyn is positively endearing as the single mother who so desperately wants to forge a successful, independent, and fulfilling life. We are drawn to this woman because she makes us care. Her vulnerability is displayed in a particularly amusing early scene. Weary from lack of success, she breaks down crying to the manager of a dive bar. She desperately wants a job singing in his establishment. She begins to list all of the hardships that have affected her. “I don’t even have a piano in here” he maintains. She continues with one setback after another. The more she lists, the more he repeats that same phrase. It’s a poignant scene, brilliantly juggling hilarity with despair.

Her character is honest, compelling and at times even deserving of the pitfalls that befall her. The latitude she gives her young brat of a son can be a source of frustration. “How did I get such a smart-ass kid?“ she grumbles. “You got pregnant,“ he deadpans. She meets David, played with an understated skill by Kris Kristofferson. He appears to be a bright light in her dreary existence. Or is he? The disrespectful interactions of her son threaten to bring latent resentments to a head. Ellen Burstyn’s engaging presence is at the heart of every scene, whether inadvertently getting involved with a married man or having to settle for working as a waitress in a humble diner. Interestingly the diner scenes, which constitute a very small part of the overall events, would subsequently form the basis of the long running TV series Alice that screenwriter Robert Getchell would go on to create 2 years later.

Robert Getchell’s script was nominated for an Oscar and it’s ingenious in the way it fashions everyday difficulties into an intimately engaging saga. Coming at the end of 1974, the film touches on themes popularized by Betty Friedan’s The Feminine Mystique published a decade before but still very much a part of the ongoing women‘s movement at the time. At first Martin Scorsese might seem like an odd choice to direct this ode to female independence. Scorsese wrings real drama from the simplicity of this woman’s drive to succeed against increasingly insurmountable odds. But this is not some weepy women‘s picture. Scorsese brings grittiness to a narrative that could have slipped into treacle. His direction is self assured. What could have been heavy-handed is rendered as a genuine portrait of a person in crisis. There is an utter commonality to the proceedings. It speaks to both men and women. There isn’t a false note in the entire 112 minutes. What truly makes the drama powerful is the magnitude of Ellen Burstyn’s Academy Award winning performance.  Alice Hyatt is a testament to the human spirit. It’s clear why Alice Doesn’t Live Here Anymore remains one of the enduring classics of 70s cinema. It just gets better with age.

The Taking of Pelham One Two Three

Posted in Action, Crime, Drama, Thriller with tags on July 12, 2010 by Mark Hobin

A New York City subway train is hijacked by a group of 4 men and a ransom of 1 million dollars is demanded for the safe return of the 17 passengers.  Well plotted, heist movie has a refreshingly simple plot.  Story isn’t corrupted by the needlessly complicated gimmicks which often hamper modern films, including the 2009 remake.  Exciting and suspenseful, action thriller highlighted by engaging performances from Walter Matthau as the Transit Authority policeman.  Also exceptional is Robert Shaw, known as “Mr. Blue” in his gang with color code names, a device later used in Quentin Tarantino’s Reservoir Dogs.  Wonderful location shooting and pulsating score from David Shire enhance the drama considerably.

Black Christmas

Posted in Horror, Mystery, Thriller with tags on October 28, 2009 by Mark Hobin

PhotobucketPhotobucketSorority house is terrorized by obscene phone caller. Then people start disappearing. Early slasher film is an influential slice of horror which actually predates Halloween by 4 years. Doesn’t seem particularly innovative today because of the hundreds of horror films that came after it. However this film does have some dramatically menacing scenes. Exploitative in the way most slasher films are, but it is particularly notable for the way it treats the murders with more gravity. A good horror film, just not a great one.

Follow

Get every new post delivered to your Inbox.

Join 653 other followers