Riveting documentary on the life and career of Brazilian Formula One racecar driver Ayrton Senna. Formula One or F1 is the highest class of single seater auto racing sanctioned by the Fédération Internationale de l’Automobile (FIA). Senna, who in his ten years of F1 competition won the world championship three times, is widely regarded as one of, if not the greatest F1 driver of all time. The film builds a fairly convincing case of Senna’s importance in the pursuit of racing.
We are presented with an organized and interesting story, enjoyed by the fanatic as well as the casual spectator. Make no mistake, however, it will help to have some interest in auto racing to truly appreciate this biography. A motorsport enthusiast will find more to love here. Filmmaker Asif Kapadia uses archival footage to show what it’s like to race from the driver’s perspective. These scenes are exhilarating. Formula One cars race at speeds of up to 220 mph (360 km/h). I, not knowing anything about Formula One Racing, gained a real appreciation for the talent and skill needed to be successful. You have to essentially memorize the racetrack because the twists and turns come so fast, it’s impossible to navigate without having some prior knowledge of what’s coming.
Where the picture truly shines is in the narrative which is built entirely from existing footage from Senna’s life. Director Asif Kapadia pored through thousands of hours of film to assemble the brilliantly edited piece of filmmaking here. Senna initially began his career with racing go-karts as a teenager. It clearly was a pivotal time in his life because it laid the groundwork for his life’s passion. He refers to kart racing as the purest form of the sport where politics played no part. He wistfully recalls those days a couple times during the story. We get to know the man directly and his own words largely form the structure of his story. When new narration is inserted, it’s underlying original footage of the era. Through brilliantly assembled archival footage we are introduced to the man and offered a window into his personality. He often comes off as surprisingly humble. Given his triumphs I would have expected a much more boastful individual.
His fierce patriotism is emotionally affecting. It’s inspiring to behold what he meant to Brazil, where he remains a national hero. Brazil didn’t have the greatest image as it was suffering through terrible times. But he reflected his Brazilian roots with joy. He brought honor and acclaim to his nation. After every victory he would take his lap of honor waving the Brazilian flag. Perhaps his most emotional race was the 1991 Brazilian Grand Prix. Surrounded by his countrymen, it was an event Senna was overjoyed to win. His pride is infectious.
Director Kapadia has a respectful almost fawning reverence for Senna that sometimes gets in the way of an impartial depiction. This is where the biography falls short. We’re invited to side with Senna in his intense rivalry with French World Champion Alain Prost. Of course what would his story be without a nemesis? But Prost, with his smooth, relaxed style, doesn‘t seem particularly hateful. He was rather successful however, ultimately becoming a Formula One Drivers’ Champion, four-times. Also Senna’s clashes with Jean-Marie Balestre, president of the FIA from 1985 to 1993, contribute to his grievances. It‘s during these moments Senna appears aloof and frustrated with the pastime. All of these controversies flesh out the profile of a man essentially in love with, but occasionally disheartened with the sport. It’s a stunning portrait and the documentary overall is absorbing from beginning to end. The tension climaxes to a momentous event at the 1994 San Marino Grand Prix. It’s an emotional conclusion, one you won’t soon forget.
A young girl moves into a Rhode Island mansion that her father and his girlfriend intend to renovate and resell. But wouldn’t you know it, the 19th century house is infested by some nasty little monsters. Don’t Be Afraid of the Dark is a remake of the 1973 ABC made-for-TV horror film of the same name and not the more well known anthology series “Are You Afraid of the Dark?” that first aired on Nickelodeon in the 90s. Dated old school flick has some style, but the drama suffers from a mundane storyline.
Well-intentioned period drama concerns ‘Skeeter’ Phelan, a young white aspiring writer who interviews black maids working in her town of Jackson, Mississippi in the early 1960s. The aftermath is controversial. Racial unrest is not a subject often taken lightly. However the tone here is certainly much more lighthearted than you would expect. We get a simplified version of civil rights in the 60s. A CliffsNotes primer that sheds precious little insight into the troubling struggles of blacks in the south during this era. Director Tate Taylor’s heart is in the right place. But he does his friend, author Kathryn Stockett, a disservice in adapting her book by reducing the themes to the lowest common denominator. We are pitched a trivialization of good vs. evil to serve a drama that says, racism is bad. It’s an idea presented shallow enough for a 2 year old to follow.
Fast Film Reviews 