It isn’t hyperbole to say that there has never been anything quite like Black Panther. The film is a game changer. This picture has been out less than a week and already earned $263M in its first 5 days of release. Its weekend debut was bigger than virtually every entry in the Marvel Cinematic Universe (MCU). Only The Avengers (2012) had a bigger opening. I think it’s safe to predict it will ultimately earn at least $600M although it has the potential to earn even more given the extraordinarily positive word of mouth. Its influence has become a phenomenon. That would’ve been enough to set Black Panther apart from its predecessors. The fact that it’s a genre film (sci-fi, rom-com, horror, etc.) that weaves racial politics and black identity within the framework of a Marvel superhero movie makes it even more unique. Its cagey ability to capture the ongoing cultural discussion and insert it into the plot is masterful. News stories blanketing its release have dominated social media as of late. Whether it be U.S. educators leading money-raising efforts for kids to see Black Panther for a school field trip or fans dressing up in African inspired clothing to attend showings, the publicity surrounding the picture is unprecedented. It has become an event.
Black Panther captures the zeitgeist as shrewdly as any in recent memory. It concerns the fictional East African nation of Wakanda. An opening narration informs us that centuries ago, 5 African nations went to war over a metal called Vibranium — a substance so vital that, according to Slate.com, the word is uttered an average of every 5.36 minutes in the screenplay. Now there’s a drinking game that’ll get you inebriated, but quick! The metal is so powerful that it allows the African nation to appear as a third world country to the other nations of the Earth. In reality, Wakanda has developed the advanced science to become a technological utopia of which only its own residents are aware. The current black panther is T’Challa, a king that has assumed his role after a combat ritual. The present leader of the Jabari Tribe, M’Baku (Winston Duke) challenged him but yields to his win in defeat. T’Challa wishes to continue Wakanda’s isolationist policies and separate itself from the rest of the planet. Where have I heard that before? Enter Erik Stevens who adopts the not-so-subtle moniker “Killmonger” after his success as a U.S. black ops soldier. He disagrees with T’Challa’s stance and strongly advocates for a different policy. He feels it is Wakanda’s duty to share its resources with the African diaspora so that they may rise up and overthrow their oppressors all over the globe. This handling of different political ideologies informs the basis of the central conflict.
Those conflicting beliefs are embodied by the main protagonist and antagonist. Actor Chadwick Boseman is T’Challa or the titular Black Panther. Since 2013, the actor has portrayed Jackie Robinson, James Brown and Thurgood Marshall all to rapturous reviews. T’Challa is a reflective, at times somber individual. That makes him an admirable character, but perhaps not as compelling as those that surround him. In contrast, Michael B Jordan is a commanding presence as Killmonger. A dominant villain full of swagger and defiance galvanized by a painful event in 1992 while growing up in Oakland, California. The time and place — carefully selected by the Oakland-born director Ryan Coogler — are NOT fictional and very intentionally so. More than any Marvel property before, the director (who also co-wrote the screenplay with Joe Robert Cole) is the visionary behind the manifestation of a comic first created by Stan Lee and Jack Kirby.
What makes the narrative so compelling is that it comprises a raft of complex characters any one of which could form the basis of their own movie. T’Challa is protected by royal bodyguards called the Dora Milaje headed up by Okoye (Danai Gurira). Nakia (Lupita Nyong’o) is a superspy for whom he has personal feelings. Shuri (Letitia Wright) is his feisty sister and technology guru. She is to this story what Q is to James Bond. I loved her. Everyone has their moment, but Letitia Wright’s use of words like “sneakers” and “colonizer” injected some much-needed humor. Her charismatic performance (and anonymity to me) forced me to look her up on the IMDb to see what else she had done. My anticipation for Steven Spielberg’s upcoming Ready Player One in March 2018 just got more fervid. W’Kabi (Daniel Kaluuya) is T’Challa’s best friend whose own loyalty will be tested regarding the capture of a black market arms dealer who threatens Wakanda’s safety. The aforementioned M’Baku portrayed by Winston Duke is probably the side character I most wanted to know more about. When is he going to star in a film? Angela Bassett is majestic as Ramonda, T’Challa’s mother, and Forest Whitaker is elder statesman Zuri. There’s also a couple of white actors from the Lord of the Rings series. The movie isn’t about them – Tolkien white guys played by Andy Serkis (Ulysses Klaue) and Martin Freeman (Everett K. Ross). My apologies for appropriating an old joke from when the trailer dropped back in October, but it still makes me laugh.
Black Panther is a rather dignified picture. It’s also glorious. A colorful Afro-futuristic sensibility informs gorgeous landscapes, opulent costumes and a large, mostly all-black cast in which even the supporting parts are played by name actors. Not since the kingdom of Zamunda in Coming to America have we seen pure African style presented in such a regal manner. Although I’ll admit the role of women in Zamunda was decidedly less enlightened. Black Panther has a vision unlike any Marvel episode before it. I have never seen a chapter that is less interested in the way that it fits within the MCU. Except for a concluding title card that informs us of the upcoming Avengers: Infinity War (which got the Pavlovian round of applause anyway) this feel more like standalone entry than any of the 17 installments that came before. I must admit that I like my superhero productions with a bit of humor. I’ve often said in my reviews that dressing up in tights and fighting crime is inherently silly. So why not treat your creation as such? A tongue in cheek attitude serves your worldbuilding well. This is why I particularly love Guardians of the Galaxy and Thor: Ragnarok. In contrast, Black Panther is a very noble superhero feature. It’s telling that the action, while serviceable, is the least interesting thing about the picture. Instead, it’s highlighted by a narrative steeped in a complicated and detailed backstory that brilliantly weaves reality into fantasy. It’s more than a film. It’s a mission statement that manipulates the spirit of our time into entertainment.
02-15-17
It’s only February, but The Cloverfield Paradox just may go down as the most brilliantly marketed gimmick of 2018. Paramount couldn’t have asked for a better moment to drop their movie. Originally produced under the title God Particle, it was scheduled for an April 2018 release in theaters. Then during Super Bowl LII, a trailer teased that the $40 million budgeted film would actually be presented on Netflix right after the Super Bowl on February 4, 2018. Now retitled The Cloverfield Paradox and marketed as part of the Cloverfield series, the picture was debuted. The reviews were less than enthusiastic. There’s a reason for that. It’s pretty bad and I’m convinced that Paramount knew this would happen.
Fast Film Reviews 