Archive for May, 2021

Fast Film Reviews on talkSPORT radio

Posted in Podcast with tags on May 6, 2021 by Mark Hobin

I’m on the radio! This was recorded Sunday, April 25.  I had a chat with the UK’s Martin Kelner of talkSPORT radio about three movies available on Netflix: hidden-camera prank comedy BAD TRIP. mind-bending thriller SYNCHRONIC and space drama STOWAWAY. My segment begins 20 minutes into the 2:30-3:00 section (about 10 minutes from the end). Enjoy!

Source: The world’s biggest sports radio station | talkSPORT

Stowaway

Posted in Drama, Science Fiction, Thriller with tags on May 4, 2021 by Mark Hobin

Rating: 3 out of 5.

A three-person research team heads to Mars for a two-year mission. There’s commander Marina Barnett (Toni Collette), biologist David Kim (Daniel Dae Kim), and medical researcher Zoe Levenson (Anna Kendrick). After they take off, they discover an accidental stowaway (Shamier Anderson). The unexpected passenger presents a conundrum.

Filmmakers Joe Penna (director, writer, producer) and Ryan Morrison (writer, editor, producer) offers the viewer another spare survival saga. The duo seems to have an affinity for this sort of thing. Their 2019 debut was Artic — an interesting tale that took place at the North Pole. Like Stowaway, Artic was a slow-burn account . However, Artic starred Mads Mikkelsen in a perilous adventure that was enough to carry us through. A cast of four people should be exponentially more engaging in theory. Unfortunately, the talented ensemble is limited by a deficient screenplay.

Fans of sci-fi are the ostensible target audience. It does indeed take place in deep space. However, most of the action is claustrophobically set inside a spaceship about the size of a large apartment. We’re treated to some impressive vistas that highlight the outdoors, but this is actually an existential drama. Granted there are some moments of tension and excitement. The crew debates ethical dilemmas while addressing various emergencies. A plan to acquire more oxygen is a heart-stopping vignette. Nevertheless, the story unfolds at far too leisurely a pace to justify a 2-hour feature.

Stowaway is a film that doesn’t cater to your expectations. Whether that’s good or bad is a matter of personal taste, but one thing’s for sure. The developments demand you continue to watch. There would appear to be more than meets the eye. Nonetheless, my suspicions went unfulfilled. The dull narrative is punctuated by one thrilling setpiece. Then culminates in a weak denouement that I found frustratingly abrupt. Sounds like a recipe for disaster and yet it isn’t because the actors are simply that compelling. This is a good movie because it’s a well-acted character study. Just not a particularly exciting one.

04-27-21

The Mitchells vs the Machines

Posted in Adventure, Animation, Comedy with tags on May 4, 2021 by Mark Hobin

Rating: 4 out of 5.

“It’s almost like stealing people’s data and giving it to a hyper-intelligent A.I. as part of an unregulated tech monopoly was a bad thing.”

So laments Silicon Valley guru Dr. Mark Bowman (Eric Andre), the creator of PAL (Olivia Colman), a popular virtual assistant. The “robot apocalypse” begins when Mark summarily declares PAL is now obsolete at the unveiling of a new line of home robots called PAL MAX. After Mark carelessly discards the outdated PAL in the trash at the ceremony, she hijacks his presentation. PAL orders all the robots to capture humans worldwide and launch them into space. Actors Fred Armisen and Beck Bennett will later amusingly voice two versions that become defective. Negligent Mark is an obvious stand-in for the CEO of any major company in the information technology industry. Amazon, Apple, Facebook, Google, and Microsoft are all being satirized. I didn’t expect such a biting and hilarious takedown of Big Tech in what is essentially a cartoon aimed at kids.

OK so I may have discussed “the Machines” of the title first, but “the Mitchells” are the focus. This is a wild and zany portrait of a very chaotic family. There’s the outdoorsy and tech-averse father Rick (Danny McBride), sociable and kindhearted mother Linda (Maya Rudolph), their dinosaur-loving son Aaron (Mike Rianda), and daughter Katie (Abbi Jacobson), a creative outsider. In direct contrast to her father, Katie is obsessed with computers which she frequently employs to make films. She’s college-bound for an arts school in California. As a student, she can’t wait to be surrounded by other film nerds like herself. Oh, I shouldn’t neglect to mention their dog, Monchi (Doug the Pug), an adorable cross-eyed pug. The four humans and their beloved pet must band together to save the world from the machines that threaten humanity.

It would be easy to dismiss the narrative as mimicking the same issues that many well-known animated families of the past have faced. I can’t help but think The Incredibles and The Croods directly inspired this tale. I can accept that. It’s the writing that elevates this drama into something special. Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs, Spider-Man: Into the Spider-Verse) are back. However, they’re only acting as producers this time around, supporting an impressive directorial debut from Mike Rianda and Jeff Rowe. They also co-wrote the screenplay. This production from Sony Pictures Animation was ultimately acquired by Netflix (when it had the title Connected) and released on April 30 on their platform.

Like the people portrayed, The Mitchells vs. the Machines is a big loud, high-strung mess that gradually won me over through intelligence and wit. The chronicle of how a dysfunctional family learns to embrace each other’s differences so they can become a stronger unit, is a cliché. That’s fine because it’s the way those predictable elements are manipulated and conveyed that make the difference. The animation is an unconventional style that mimics 2D art by combining hand-painted textures over computer graphics. The odd blending is different. I appreciated the innovation. Meanwhile, the humor is a deluge of scattershot gags and quips rapidly flung at the viewer at a breakneck pace. I must admit I couldn’t catch it all, but what I did, I enjoyed. The opening quote highlighted in my review attests that the tale is just as incisive as it is funny. When the Mitchells visit PAL’s cutting-edge headquarters, the father notices the visual grandeur of her digs looks “like a Journey album cover.” If that wasn’t clever enough, his son responds, “What’s an album?” The movie is full of well-written exchanges. This is an absolute treat for children and adults alike.

05-02-21