Quirky, dark and charming. These are the three words that immediately spring to mind when I think of My Life as a Zucchini (also titled My Life as a Courgette). Icare (Erick Abbate), or Zucchini as he likes to be called, is a 9-year old boy who lives with his single mother. An only child, he’s a lonely lad seemingly without any playmates. His mother spends her days watching TV and drinking beer, as evinced by all the aluminum cans lying around the house. He passes time playing up in the attic and flying his kite adorned with a drawing of his father as a superhero. The dad is MIA by the way – whereabouts unknown. One day, little Zucchini is playing up in his room while his inebriated mom is downstairs. He has collected her discarded beer cans and is stacking them to build a tower. Most kids would use blocks but you use what’s available right? One thing leads to another and suddenly Zucchini is facing the unexpected death of his mother. I told you it was dark.
The animation is a painstakingly rendered stop-motion charmer. The plasticine people have big heads and large eyes like a Margaret Keane painting. Their faces are not as expressive as the cartoons with which we are familiar, but that almost gives these characters a sense of mystery underneath their pleasant facades. My Life as a Zucchini is French-Swiss director Claude Barras’ first full-length feature. It’s an adaptation of Gilles Paris’ 2002 novel Autobiographie d’une Courgette. Barras receives an able assist from a screenplay co-written by Céline Sciamma (Girlhood). The intelligent writing details how resilient children truly are. Despite the medium, this material isn’t meant for young children, hence the PG-13. Although most pre-adolescents age 10 and up should be fine, the subject matter might disturb kids of Zucchini’s age or younger.
Zucchini is taken to an orphanage by a friendly policeman named Raymond (Nick Offerman). There he meets 5 others like him without parents already living there. They’re a ragtag group. Amazingly the screenplay takes the time to develop a nuanced personality for each waif. Red haired Simon (Romy Beckman) is “the boss”. Alluring Kafka-reading Camille (Ness Krell), who arrives later, turns his head. This enchanting stop-motion cartoon was originally presented in French, but the English language dub features actors Will Forte, Nick Offerman, Ellen Page and Amy Sedaris. I found their work engaging. For the most part, Zucchini’s encounters are positive experiences. It’s refreshing that a state-run institution is actually presented as a place of kindness rather than terror. The boys have a hilarious conversation about the birds and the bees and it captures the spotty understanding that a group of 10-year-olds would have. We love these kids
My Life as a Zucchini flies by in a scant 70 minutes but mines more depth of emotion than a drama twice its length. The nature of the production allows the disturbing script to deal with sensitive problems that might be off-putting in a live action movie. As performed with stop motion puppets the weighty issues take on a poignant charm. Sometimes children find themselves without a mom or a dad. The circumstances are many: some have passed on, others arrested, deported, or maybe they have just simply abandoned them. It’s a heartwarming tale that doesn’t sugarcoat the toughest thing a youngster may ever have to face. Yet somehow kids manage to weather the tribulations that life throws at them. The narrative delves into the need for a child, and anyone really, to feel loved. My Life As A Zucchini received an Oscar nomination for Best Animated Feature Film well before it was even available in theaters. Now it has been officially released and it’s still pretty hard to find. I suspect most people will have to discover this lovingly crafted gem once it’s available to rent. And please do seek it out. It’s an unconventional delight.