The Ten Commandments

The Ten Commandments photo starrating-4andahalfstars.jpgLavish, Technicolor extravaganza shot in VistaVision is Cecil B. DeMille’s last and most celebrated work. Remaking his own 1923 black and white silent movie, The Ten Commandments is a sumptuous religious epic. Pure soap opera is woven into the Old Testament story about a man whose perspective changes when he realizes his true origins. Few films have attained such an unqualified level of sheer excess. Over the course of almost four hours, the picture dramatizes the life of Moses. That the script treats this topic with only the most holy reverence, is never a question. A viewing is akin to a religious experience. However it presents its subject with such unrestrained grandiloquence that at times, the exhibition verges on pageantry. Nevertheless the drama is an unqualified success.

Two mesmerizing performances highlight the saga. Charlton Heston is front and center as the main character. He embodies every bit the part with honor and authority. Cecil B. DeMille had been responsible for his breakthrough as a circus manager in The Greatest Show on Earth. As successful as that picture was, The Ten Commandments would prove to be much more iconic. “Let my people go!” he demands in one of his signature lines. Matching Heston for sheer magnetism as his arch nemesis is Yul Brynner as the Pharaoh Rameses II. He will not relent seemingly ending every proclamation with “So let it be written, so let it be done.” For Yul Brynner, 1956 was a phenomenal year. The Ten Commandments was sandwiched right between The King and I which had come out 3 months prior and Anastasia which was 2 months away. His subsequent Oscar win for playing the King of Siam overshadowed his work here. It was well deserved but Yul is quite extraordinary as the unrelenting pharaoh. This is Heston’s film but Brynner’s importance cannot be underestimated. He is a charismatic villain yet he engenders some sympathy. One would not expect a ruler who advocates slavery to have any redeeming qualities. A scene where he pleads with a statue of a falcon-headed Egyptian god to resurrect his firstborn son has an unexpected emotional nuance.

Cecil B. DeMille doesn’t know the meaning of moderation and thank goodness for that. Ornate sets, crowds of extras, special effects, it is a magnificent spectacle unlike any other. A director with a well tended ego, he even appears as himself at the beginning intro. Perhaps in an effort to silence critics of the liberties he took with the story, he freely admits that the narrative is compiled from sources that include other ancient texts. Occasionally the script veers into unintentionally hilarious dialogue. Perhaps chief among them, “Oh, Moses, Moses, you stubborn, splendid, adorable fool!” These actual words are uttered by Anne Baxter as Nefertiri, a part enhanced by her lustily exaggerated dramatics. She’s joined by a host of solid supporting performances. These include blacklisted actor Edward G. Robinson in a comeback role. He is memorably evil as Dathan, the unethical Israelite who betrays his own people.  There’s sultry Yvonne DeCarlo as Moses’ loyal wife Sephora.  This was before achieving TV fame as Lily Munster.  Joshua, a young slave played by actor John Derek, later known for launching the career of wife Bo Derek, and  Jewish slave girl Lilia, portrayed by 50s starlet Debra Paget. Even Vincent Price and John Carradine show up in minor roles.

The Ten Commandments is certainly extravagant. It was the most expensive film ever made up to that point. All exterior shots were actually photographed on location in Egypt. It employs a cast of thousands with 70 speaking parts. In an era where they really had to hire all of those people you see in the background, this was truly an epic undertaking. No computer animation. This is all practical effects. In a surprising bit of restraint, only 3 of the 10 plagues are depicted: the water turning into blood, thunder & hail storm, and killing of the oldest sons. The latter features an Angel of Death imagined as a thick, green mist that creeps through the streets claiming the lives of Egypt’s firstborn sons. As memorable as that was, it pales next to one of the greatest special effects sequences of all time that follows the Exodus of over 12,000 extra. The production culminates in Moses’ parting of the Red Sea in the climatic scene. Even now it’s a visual feat to be admired. It was nominated for 7 Academy Awards winning 1 for Best Visual Effects. To this day, the movie is the sixth most successful ever when adjusting for inflation. It remains the yardstick by which all biblical stories must be measured..

P.S. I’m well aware Ben-Hur is technically set during biblical times but it’s NOT a biblical story.

04-23-14

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20 Responses to “The Ten Commandments”

  1. It is a brilliant film! I this was an era that really boasted amazing results when it came to biblical and ancient story’s. There really hasn’t been anything since. These are the types of films which made me quite underwhelmed when watching Gladiator. Great review!

    • Oh I love Gladiator too but yes an entirely different kind of film. In fact I just saw Gladiator yesterday on the big screen.

      Are you watching the classic series that AMC, Cinemark and Regal theaters are currently showing as well?

      • Are they American cinemas? I live in the uk. I love the old classics of every genre as you will see from my top 10.

      • Yes those are American cinemas. In addition they’ll also be showing Ben-Hur, Titanic and Spartacus as part of the series.

  2. I caught this one while it was showing on cable during Lent. It may be old and long but it was pretty decent. Great post 😀

  3. Great review Mark! “Cecil B. DeMille doesn’t know the meaning of moderation…” Ahah so true but hey, if you’re gonna make an epic, why not go all out right? This is actually not my go-to religious-themed epic, that’d be Ben-Hur, but I do appreciate this for what it is and Heston certainly has a commanding presence. I’m curious about what Ridley Scott’s going to do w/ the Moses story in Exodus but sounds like God will be on the sideline on that (like in Noah) and it’ll be more about battle sequences [sigh]

  4. Excellently written review!

  5. garylee828 Says:

    Very insightful write-up here, Mark! I haven’t watched this since I was a kid, but one of these days I need to give it a re-watch. Yul Brynner was definitely good in this; he was also great in “The Magnificent Seven”. I also liked “West World”. lol. I need to revisit some old Brynner classics.

    *You need to point out at the end of your review that “Planet of the Apes” also wasn’t a Bible story! lol. Heston sure did make a slew of classics back in his day.

    • With Charlton Heston and Yul Brynner in the same film, how could it lose? The two would work together again in The Buccaneer (1958) but this time, Brynner as the star and Heston in a supporting role.

  6. I had forgotten how awesome this movie was. Probably cause it’s been years since I’ve seen it. What can I say, it really moved me. Not only was the acting first rate, the sets, costumes and not to mention, all the extras they used back then all added to the excitement. It was amazing to see on the big screen. Naturally 5 stars.

  7. Victor De Leon Says:

    Epic review, Mark! (pardon the pun) I like to re-visit this film every so often and I used to try and use it as a reason to stay up late whenever they aired it on ABC when I was a kid. Great work, man. This was a fine read 🙂

    • It’s amazing the kind of ratings The Ten Commandments still gets for ABC. It scored 7 million viewers in primetime Saturday night in 2012. That’s was more than twice the viewers who watched an episode of Game of Thrones that year.

      • Victor De Leon Says:

        Oh yeah, I don’t doubt it. Wow, though, after all of these years in the age of streaming, dvd’s and blu rays that the movie still pulls in those numbers. Pretty impressive. Great info, Mark. Thanks!

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