Destroyer
I respect Nicole Kidman as an accomplished thespian. I really do. As such, I hold the actress in high regard. Destroyer is a film highlighted by the transformation of its star. The tall, willowy blonde ditches her signature long tresses for a wispy dirty brown bob with bangs. Not only does her hair look filthy but her normally fair unblemished skin is wrinkled and pockmarked. Set in modern-day Los Angeles, Kidman plays Erin Bell, a detective who is on the hunt for the members of a burglary ring. When she receives a $100 bill stained from a dye pack, she determines it’s from a bank robbery committed by a California syndicate many years prior. Erin’s gritty appearance tells us she’s had a rough past. Via flashbacks, we learn that she and her former partner Chris (Sebastian Stan) had previously infiltrated this organization as undercover officers. Predictably, these two shared a romantic relationship as well. At any rate, now it appears the criminals are active again. Based on an original script by Phil Hay and Matt Manfredi, the narrative is the saga of a woman with a score to settle.
Destroyer has a grimy atmosphere. Early on Erin is shown doing something distasteful to get information from an informant (James Jordan). I was repulsed by the scummy milieu. If you’re willing to stick with the unsavory sections, there is a story, although it is confusingly doled out in bits that the viewer must piece together. Kidman immerses herself in the sordid surroundings. She admirably gives it her all but physically she seems too frail to be taken seriously in the role. Her character Erin gets no respect from her contacts. Everyone seems to treat her as an annoyance. Her daughter (Jade Pettyjohn) as well as her daughter’s boyfriend (Beau Knapp), along with a lawyer suspect who launders money (Bradley Whitford), all regard her with disdain — initially anyway. Occasionally she makes inroads.
As a detective drama, Destroyer is merely adequate. Kidman doesn’t have the gravitas to play an intimidating police officer. Destroyer is helmed by Karyn Kusama who directed Michelle Rodriguez in her feature debut Girlfight way back in 2000. I couldn’t help but think Rodriguez would have been a better choice to play this part. Kusama recently created a sinister but captivating mood in The Invitation (2015), an innovative thriller. Destroyer is less inventive. Most of Destroyer simply wallows in the muck as if to prove that Nicole Kidman can be rugged. I admire her ambition I suppose. The actress received a lot of positive mentions for her work here. It’s an exaggerated performance from a veteran performer that’s clearly begging for an Oscar nod. Unfortunately, that’s all there is. The screenplay is rooted firmly in genre clichés. I only wish the drama had been more interesting.
01-01-19
January 18, 2019 at 7:25 pm
Yes, this is what I feared. Nicole Kidman’s transformation seems a hard-lined pitch for an Oscar. I wished this could be more than that. I’m still curious to check this out for myself but I shall temper my already fairly low expectations after reading a trusted source.
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January 19, 2019 at 10:12 am
It starts out really bad actually. A third of the way through I felt like I going to give it a negative review. The story is kind of allocated in pieces that you have to assemble. It gradually hooked me to the point where I felt mildly positive about it.
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January 19, 2019 at 7:37 am
I saw the previews and immediately thought of Theron “ruining” her face with spots and dowdy hair. In the end, it’s the story I go and pay money to see. Sounds flat.
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January 19, 2019 at 10:13 am
It’s not a fresh story. Rather generic at best.
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January 19, 2019 at 6:50 pm
Grew on me in the final act with a twist and framing device I didn’t expect to get it a fairly solid recommendation. Nothing extremely gripping though, and I found Bell’s past story infinitely more compelling than her present. Probably could have used another action scene too to break up the sometimes plodding pace.
Really good work by Kidman. Absolutely wasted Maslany, however.
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January 28, 2019 at 8:51 am
I agree. Erin Bell’s past was more interesting. Once the film delved into how she became the way she was, it got better.
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February 19, 2019 at 1:10 am
I love Nicole Kidman, this performance was a bit much. Not my favorite. Movie got better as it went along. 3 stars
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February 21, 2019 at 6:35 pm
Well this film completely flopped. Production budget: $9M. Final box office tally: 1.5M. Ouch!!!!
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