2021 Oscar Nominated Short Films (Part 2 of 3)

ShortsTV has made the Oscar-nominated short films (animated, live-action, documentary) available to audiences for over a decade. This year you can watch them online or via VOD or in a theater where they’ve been playing since April 2.

ANIMATION

I hate to be a gloomy Gus, but this year’s crop of animated films did not enchant me. Sadly Out, the man-dog body-swapping tale and Kapaemahu, the poetically beautiful Hawaiian folkloric tale didn’t even make the cut this year. With one notable exception, this animation program is not for kids. I’ve ranked these predominantly unlikable shorts in order of likability. It was hard.

BURROW
USA/6 MINS/2020
Director: MADELINE SHARAFIAN

A rabbit trying to dig herself an underground home keeps running into her neighbors. She’s confused. Her subterranean tunnels form a delightful labyrinth and the adorable critters are amusing. I get Wind in the Willows vibes. It’s a simple pleasure, but at least it’s pure and innocent. Burrow is from SparkShorts, a series produced by Pixar Animation Studios. It’s undeniably cute. What it lacks in innovation, it makes up for in feel-good spirit. Ironically that quality makes this entry unique by default this year. The rest of the submissions are dour, depressing and frankly a little twisted.

OPERA
SOUTH KOREA/USA/9 MINS/2020
Director: ERICK OH

This one grew on me upon closer study. A pyramidal diorama of a corrupt society is depicted in an overview of tiny figures before our eyes. The people on top have an effect on the humanity below. This would be impressive playing on a massive wall on a loop in a modern art gallery. It is impossible to grasp everything that is happening on screen, but upon further examination (I watched it more than once) a sense of purpose develops. Somewhat reminiscent of the work of Renaissance painter Hieronymus Bosch and his depictions of hell. This is an animated update for our modern times. It’s supremely unsettling but easily the most innovative of this year’s nominees. It begs your attention.

IF ANYTHING HAPPENS I LOVE YOU
USA/13 MINS/2020
Directors: MICHAEL GOVIER, WILL MCCORMACK

A husband and wife grieve the loss of their daughter — their only child — taken by a mass shooting. Minimalist, expressive black and white pencil sketches are a mediation on violence against children. The worst thing that any parent can possibly imagine is depicted for your entertainment in the form of a cartoon. There’s even a contemporary pop song “1950” by King Princess for your listening enjoyment. Clearly, their motives are pure. The filmmakers are opposed to school shootings which I think (I can safely say) is something everyone is against. The filmmakers worked closely with the American nonprofit organization Everytown for Gun Safety. I can’t see this not winning the Oscar as the filmmakers have literally done their homework with a sanctioned advocacy group.

GENIUS LOCI
FRANCE/16 MINS/2019
Director: ADRIEN MERIGEAU

In the polytheistic religion of ancient Rome, a “genius loci” was the protective spirit of a place. The longest at 16 minutes, this is extremely avant-garde. Reine is a young Black woman who ventures through the urban chaos of Paris. The people and places around her are an ever-shifting collage of surrealism. Is she on drugs? Is she mentally unstable? Are paranormal forces afoot? Who’s to say. One thing’s for sure. She is anxious and dissatisfied with life. Disconnected from her thoughts and body, she even becomes a canine at one point. The most experimental of the nominees which is a nice way of saying, I didn’t get it.

YES-PEOPLE
ICELAND/9 MINS/2020
Director: GÍSLI DARRI HALLDÓRSSON

A group of unsavory residents live in an apartment building. The characters with their exaggerated features are visually grotesque in this portrait of domesticity. Good luck divining a story in this narrative. Their nonverbal dialogue consists of grunts before culminating with moans and screams of ecstasy at the end. These (amusingly?) reverberate throughout the building when one couple decides to get intimate. How on earth is this up for an award? The worst of the lot.

03-28-21

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