Archive for the Awards Category

2020 Oscar Nominated Short Films (Part 3 of 3)

Posted in Awards, Documentary, Shorts with tags on February 9, 2020 by Mark Hobin

ShortsTV continues to make all three of the Oscar-nominated short film programs (animated, live-action, documentary) available to audiences around the world. To find out where you can watch this year’s Oscar-Nominated Short Films, visit their Theatrical Release and On Demand pages.

Documentary

This victor in this category has always favored trends.  At one time it was the Holocaust.  Now the direction has been portraits about Muslim women.  I’ve reviewed and ranked these from my “want to win”  to my least preferred.  Personally, I don’t have strong feelings that one should triumph over the other.  I respect them all equally.  Learning to Skateboard in a Warzone (If You’re a Girl) has the best title so I predict that will prevail.  The results will be announced at the Academy Awards on February 9th.

 

Walk Run Cha-Cha
USA/20MINS/2019
Director: Laura Nix
cha-cha
Paul and Millie are in love. They met as teenagers in Vietnam but the war separated them.  Years later they are reunited in California.  The doc shorts category tends to favor heavy subjects with a strong message.  This piece stands out because it’s the only one that’s blessedly upbeat and lighthearted.  It’s simply about love.  That is why it’s my personal choice.

 

In the Absence
US/SOUTH KOREA/29MINS/2018
Director: Yi Seung-Jun
Lavery-IntheAbsence-SewolFerryVid
Disaster footage from overhead shows a passenger ferry sinking off the coast of South Korea in 2014.  300 people — most of them schoolchildren on a field trip — lost their lives.  The official state response is a jaw-dropping document of ineptitude.  If the way this unfolds doesn’t make you angry, please check your pulse.  Watching the victims’ families and survivors suffer the aftermath is heartbreaking.

 

St. Louis Superman
USA/28MINS/2019
Directors: Sami Khan, Smriti Mundhra
superman
Bruce Franks Jr. is a Ferguson activist and a battle rapper who served for two terms in the Missouri House of Representatives.  He is a political powerhouse the likes of which you have never seen.  He fights for a bill critical for his community while contending with overwhelming personal trauma.  This emotional account is unquestionably an admirable portrait of overcoming adversity but the coda at the end feels a bit like a rug pull.  It ends on a depressing note.  I wish the directors had focused more on the positives because there are so many to this man.  P.S. The rap battle should be subtitled.  Highlighting the poetry of his words would have emphasized why he won.  I think he won.  It’s not clear.

 

Learning to Skateboard in a Warzone (If You’re a Girl)
UK/US/Afghanistan/40MINS/2018
Director: Carol Dysinger
Skateboard
An inspirational tale about the status of Islamic women in Afghanistan.  Over the past decade, this theme has frequently won the award (Period. End of Sentence., A Girl in the River: The Price of Forgiveness, Saving Face).  Noble and important but also unfocused.  The title implies this chronicle will be about young Afghan girls who skateboard but in fact, this concerns a variety of topics including a basic desire to just read and write.  The sports aspect is, unfortunately, a very small part.   At 40 minutes it’s the longest of all the 15 nominees in the entire shorts program.  It feels like it.

 

Life Overtakes Me
USA/37MINS/2019
Director: John Haptas and Kristine Samuelson
netflix-life-overtakes-me-review-3
Many refugee children and their families have fled to Sweden from traumatic experiences in their home countries.  Some still face deportation.  Over 400 have become afflicted with something called Resignation Syndrome.  This dissociative disorder appears to be a coma-like state.  The experience resembles sleep.  The documentary highlights a fascinating affliction but it begs so many more questions than it answers.  Is this real?  Why is this specifically happening to the refugees in this country?  Have the parents asked their children to “fake it” to improve their prospects?  Directors John Haptas and Kristine Samuelson don’t press for explanations.  That’s frustrating.

 

02-03-20

2020 Oscar Nominated Short Films (Part 2 of 3)

Posted in Awards, Drama, Shorts with tags on February 8, 2020 by Mark Hobin

ShortsTV continues to make all three of the Oscar-nominated short film programs (animated, live-action, documentary) available to audiences around the world.  To find out where you can watch this year’s Oscar-Nominated Short Films, visit their Theatrical Release and On Demand pages.

Live-Action

Let’s hear it for Tunisia!  The North African country actually figures in two out of the five films nominated in 2020.

As I do every year, I’ve reviewed and ranked them from my preferred champion to my least favorite.  I really enjoyed my top two picks a lot.  I would be happy if either of those won.  The results will be announced at the Academy Awards on February 9th.

 

The Neighbor’s Window
USA/20MINS/2019
Director: Marshall Curry
190426-neighbors-window-tease_bjkrab
The lives of Alli and her husband are affected when two free-spirited twenty-somethings move into the apartment across from theirs.  Large expansive bay windows without curtains conceal nothing.  Soon they’re immersed into the daily doings of the couple across the street like a TV show.   Actress Maria Dizzia gives an affecting performance as a new mother fascinated by her neighbors’ behavior.  This account was based on a true incident that occurred in San Francisco.  Few portraits can turn from lighthearted comedy into heartfelt drama on a dime and this does it as beautifully as any I saw last year. A real charmer. I teared up.

 

Nefta Football Club
FRANCE–TUNISIA/17MINS/2018
Director: Yves Piat
Nefta-Football-Club4
In the south of Tunisia, two young brothers come across a donkey in the desert on the border of Algeria. Strangely, the animal is wearing headphones over its ears.  Then they make a discovery.   I’ll be honest.  I wasn’t really digging this very sober and meandering chronicle at first.   Then I was on the edge of my seat fearing the worst.  This could’ve gone any number of ways.  It sticks the ending.   By far the funniest entry this year.  The final shot could be enough to actually win this award.

 

A Sister
BELGIUM/16MINS/2018
Director: Delphine Girard
A-Sister
A woman traveling in the passenger seat of a car is in trouble.  She makes a phone call.  Tense thriller doesn’t attempt to detail too much but does exactly what a short should.  This is a simple concept that extracts anxiety from the audience in an efficient way.  I was mesmerized although I had questions.  What kidnapper would let his victim make a 16-minute phone call?  It also loses points for its similarity to Danish crime thriller The Guilty which did this subject first and did it better.

 

Brotherhood
CANADA-TUNISIA-QATAR-SWEDEN/25MINS/2018
Director: Meryam Joobeur
Brotherhood
The 2nd of two films from Tunisia. This is the apparent frontrunner of the category but I would be shocked if it won.  Narratively opaque portrait of a callous shepherd named Mohammed living on a farm in rural Tunisia.  His oldest son Malik returns from Syria, with a mysterious new wife covered in a burka.  Director Meryam Joobeur doesn’t play fair with the audience purposefully hiding information so we cannot figure out what is going on.  The viewer (and father Mohammed ) is led to believe Malik became a radical and joined ISIS. Honestly, if father and son had simply had a conversation the misunderstanding at the heart of this drama could have easily been avoided.  Extremely frustrating for its inept depiction of the father’s shameful decision.

 

Saria
USA/22MINS/2019
Director: Bryan BuckleySaria
This true story dramatizes an appalling event that occurred at the Virgen de La Asuncion Safe Home in Guatemala in 2017.  A fire claimed the lives of 41 young women including two friends, Saria and Ximena.   This is a shocking violation of human rights.  The fact that real-life orphans are playing orphans is more interesting than the film itself.   The circumstances surrounding their deaths is clearly a tragedy worth telling so it gets credit for that.  However the film’s slick, unemotional presentation doesn’t feel as powerful as it should.  When the severity of these events comes across like a cliche, something is wrong.  Director Bryan Buckley has helmed over 60 commercials for the Super Bowl since 2000 so the cinematography is stellar.  I’ll give it that.

01-29-20

2020 Oscar Nominated Short Films (Part 1 of 3)

Posted in Animation, Awards, Drama, Sports with tags on February 6, 2020 by Mark Hobin

ShortsTV continues to make all three of the Oscar-nominated short film programs (animated, live-action, documentary) available to audiences around the world. To find out where you can watch this year’s Oscar-Nominated Short Films, visit their Theatrical Release and On Demand pages.

Animation

Regardless of how expected the rest of the Oscar races are, the shorts programs have always been the most difficult category in which to predict a winner.  They make forecasting interesting.

With the exception of Kitbull, this year’s selections all have to do with familial relationships but even that short is essentially about the connection that forms a family. They have all been carefully constructed to make you tear up — with either joy or sadness — in some way.

As I do every year, I’ve reviewed and ranked them from my preferred champion to my least favorite.  The results will be announced at the Academy Awards on February 9th.

 

Hair Love
USA/7 MINS/2019
Directors: Matthew A. Cherry, Everett Downing Jr., Bruce W. Smith
hair love
A young black girl is desperately trying to style her hair for a special occasion. She consults an online tutorial video for help but is unsuccessful. She then asks her father for help. This warm depiction highlights a loving bond between father and daughter. But where is the mother? That’s the poignant ending to this heartfelt account.

 

Kitbull
USA/9 MINS/2019
Director: Rosana Sullivan
kitbull
Appealing feature about a cat and a pit bull and the unlikely attachment that develops between them. This was produced by Pixar Animation Studios under their SparkShorts umbrella which gives employees the autonomy to create their own independent films. The characters are quite simply drawn, almost abstract, but the movement is spot on. The way the kitten moves is surprisingly realistic. The story adds depressing elements but it’s quite engaging.

 

Sister
CHINA-USA/8 MINS/2018
Director: Siqi Song
sister-oscar-nominated-animated-short-film
A man reflects back on his childhood memories of growing up with his little sister in China in the 1990s.  She is a constant annoyance to him.  This stop motion entry (there’s 3 this year) appears to be a rather simplistic tale at first.  A haunting reveal ends things on a very serious note.  It has a point and it effectively makes it.  This stayed with me.

 

Mémorable
FRANCE/12 MINS/2019
Director: Bruno Collet
image-louis-alzeimer_court-metrage-animation-memorable-bruno-collet-vivement-lundi_le-blog-de-cheeky
A painterly representation of one man’s descent into dementia.  The stop motion is an artistic manipulation of post-impressionism.  The characters look like living portraits by Van Gogh, Picasso, and other masters.  It holds an undeniably hypnotic quality that verges on calculated preciousness.  Alzheimer’s disease was the theme of last year’s Late Afternoon.  Do I sense the beginning of a trend?

 

Daughter
CZECHIA/15 MINS/2019
Director: Daria Kashcheeva
Daughter_Daria_Kashcheeva
This wordless recollection details the strained relationship between a young woman and her father.   The abundance of silence doesn’t help this obtuse chronicle.  The animation is stop-motion but then a handheld camera is used to heighten the movement so hey that’s different.  However, the pointless grudge this woman held her entire life could have been easily solved with a simple conversation.  Try talking to your father.  Narratively frustrating.

01-24-20

2019 Oscar Nominated Short Films (Part 3 of 3)

Posted in Awards, Documentary, Shorts with tags on February 21, 2019 by Mark Hobin

ShortsTV continues to make all three of the Oscar-nominated short film programs (animated, live action, documentary) available to audiences around the world. To find out where you can watch this year’s Oscar© Nominated Short Films, visit their Theatrical Release and On Demand pages.

Documentary

The documentary short category often relies on certain trends. The Holocaust has historically been a popular subject in this category. Surprisingly, 2019 doesn’t contain a single entry having to do with that theme (neither did 2018 actually).  In fact, the last winning doc to do so was The Lady in Number 6: Music Saved My Life in 2014.

That’s not to say they still can’t be classified. 3 of this year’s finalists [End Game, Lifeboat, and Period. End of Sentence] touch upon humanitarian groups dealing with imperative issues. The other two concern hate groups.

I’ve ranked each one in order from best to worst. In some cases I could have flipped entries next to each other, so don’t get too hung up on the lineup.

 

END GAME
USA/40MINS/2018
Directors: ROB EPSTEIN and JEFFREY FRIEDMAN
end-game
Moving depiction of the final stages of life at two San Francisco Bay Area medical facilities: a hospice and a palliative care center.  Both places comfort and provide for people dealing with end of life decisions.  A handful of patients are profiled.  It’s a poignant examination that forces the audience to deliberate over very difficult choices that we will ultimately have to make some day.  One key doctor B.J. Miller, M.D., is head of the Zen Hospice Project in San Francisco.  He knows a thing or two about tragedy having lost 3 of his own limbs in a freak accident.

 

BLACK SHEEP
UK/27MINS/2018
Director: ED PERKINS
BlackSheep
Looking directly into the camera, Cornelius Walker recounts his childhood as a black teenager growing up in the largely white London suburb of Essex.  Blending his own firsthand account with reenactments, he describes his dealings with the local neighborhood of racist peers.  Rather than combat them, he details his desire to fit in with the reprehensible group.  He becomes like them and his transformation, both physical and mental, is chilling.  The extreme lengths he employed to earn their friendship is unsettling.  Points for honesty though and sympathy for the obviously difficult environment to which he was exposed.

Hard to predict which of these five nominees will ultimately win, but most buzz surrounds this one.

 

LIFEBOAT
USA/34MINS/2018
Director: SKYE FITZGERALD

thenewyorker_lifeboatVolunteers from a German nonprofit called Sea-Watch conduct rescue missions in the Mediterranean off the coast of Libya.  Many of these North African refugees are fleeing to Europe to escape barbarous conditions at a human trafficking prison.  It’s not entirely clear that their life, after being rescued, will be great.  However, at least they are alive in a much better place than before.  The superior cinematography and music are definitely at a higher level than the other submissions.  The visual spectacle of these unsafe vessels overcrowded to the point that people are literally hanging off the sides, is something you won’t soon forget.

 

PERIOD. END OF SENTENCE.
USA/26MINS/2018
Director: RAYKA ZEHTABCHI
period
In a rural village outside Delhi, India, the discussion of feminine hygiene is so taboo that few have access to sanitary pads.  Let’s face it, a documentary about this subject might even be off-putting to some in the U.S.  Interviews suggest that the men in this remote area don’t have a clear understanding of the female reproductive system.  Many women just use an old cloth and discreetly bury it afterward.  We hear personal stories from ladies who have had difficulty pursuing an education or holding a job.  A female-led startup seeks to change all that by producing and selling (it’s a business after all) affordable pads.  A product that Western society takes for granted becomes a major life-changing commodity in the lives of these women.

 

A NIGHT AT THE GARDEN
USA/7MINS/2018
Director: MARSHALL CURRY
German.jpg
Archival film concerning a 1939 rally of Nazi supporters astonishingly held in New York City at Madison Square Garden.  The gathering drew a crowd of 20,000 people in 1939; two years before America began its involvement in World War II.  This frustratingly brief documentary presents jaw-dropping footage inspiring numerous questions.  Much-needed narration would have been appreciated to provide some context.  The throng is addressed by Fritz Kuhn the leader of the German American Bund, a pro-Nazi organization.  This isn’t revealed, but my own curiosity led me to discover that Kuhn was deported in 1945.

02-16-19

2019 Oscar Nominated Short Films (Part 2 of 3)

Posted in Awards, Drama, Shorts with tags on February 19, 2019 by Mark Hobin

ShortsTV continues to make all three of the Oscar-nominated short film programs (animated, live action, documentary) available to audiences around the world. To find out where you can watch this year’s Oscar© Nominated Short Films, visit their Theatrical Release and On Demand pages.

Live-Action

The Shorts (live-action and documentary specifically) have a reputation for presenting only the most depressing subjects for public consumption.  I’m sorry to say this year is no exception.

The unintended theme is “boys in peril”.  Marguerite is the sole nonconformist.  As my friend Jonathan Van Dyke observed – you’re likely to need a therapist after watching all of these bleak nominees.

I’ve ranked each one in order from best to worst.

 

SKIN
USA/20MINS/2018
Director: GUY NATTIV
skin
This allegorical drama of just desserts plays out like a 1960’s Twilight Zone episode.  The film’s overall subject is the oft detailed theme of racism.  However, this tale is unique in that you initially meet the child’s father through his supportive eyes.  He appears to be a warm and loving parent at first.  Then a fateful encounter reveals the man to have deep-seated personality flaws.  Tales of revenge are morally questionable but they can be cathartic too.  This particular saga is an efficiently told chronicle with an ultimate twist of comeuppance.

 

FAUVE
CANADA/16MINS/2018
Director: JEREMY COMTE
fauve-film-court-metrage-jeremy-comteRather disturbing tale of two boys’ (Félix Grenier and Alexandre Perreault) game of one-upmanship.  Their back and forth play culminates in a shocking event at an open pit mine.  The story ultimately devolves into terrorizing consequences.  It’s one of those portraits detailing behavior that critics conveniently describe as “toxic masculinity”. That assessment is far too facile.   There’s a lot more at work here that begs deep contemplation.   I was shook.

 

MARGUERITE
CANADA/19MINS/2017
Director: MARIANNE FARLEY
margauritte
This is the story of an aging woman who is being taken care of by a younger caregiver. Marguerite comes to learn that her female nurse, Rachel, has a girlfriend. This becomes a stepping off point for our lead to reflect on her life.  She too longs for a woman in her past.  This is a poignant tale.  Particularly interesting because it’s the only nominee that’s uplifting and diverges from the theme of “boys in peril” that defines every other nominee.   Perhaps that’s why pundits have picked this as the odds on favorite to win.

 

MADRE (MOTHER)
SPAIN/19MINS/2017
Director: RODRIGO SOROGOYEN
live_2
A parent’s worst nightmare. The story concerns Iván, Marta’s 7-year-old son, who calls his mother while vacationing at the beach with her ex-husband.  The entire drama takes place over the duration of one phone call, interrupted by a disconnection at one juncture.  We never see the little boy at the other end, but we do see the mother’s response.  Her terror as she comes to realize the intimate danger that her son faces is palpable.  Loses major points for having absolutely no resolution whatsoever.  This feels like a snippet taken out of context from a much longer horror film.  Frustratingly unfinished.

 

DETAINMENTT
IRELAND/30MINS/2018
Director: VINCENT LAMBE
06_B-2
Detainment is far and away the most controversial all the shorts nominees.  Inspired by the real-life Liverpool murder of James Bulger,  it concerns two boys who kidnapped, then subsequently tortured and killed a 2-year-old child in 1993.  The incident was so stomach churning that despite their young age, the assailants were tried and convicted as adults in the UK.  This particular nominee has attracted dubious attention because Denise Fergus, the actual mother of James Bulger, was “disgusted and upset” by this film.  She’s not wrong.   The narrative is tolerant of the antagonists since it is done from their perspective.  The account seeks to solicit sympathy.  The attackers break down and cry as they come to grips with the severity of what they did.  The short itself is not graphic, but if you’re acquainted with the substantive case, the sympathetic point of view to the aggressors’ situation is extremely unsettling.

02-16-19

2019 Oscar Nominated Short Films (Part 1 of 3)

Posted in Animation, Awards, Drama, Shorts on February 18, 2019 by Mark Hobin

ShortsTV continues to make all three of the Oscar-nominated short film programs (animated, live action, documentary) available to audiences around the world.  To find out where you can watch this year’s Oscar© Nominated Short Films, visit their Theatrical Release and On Demand pages.

Animation

Last year Dear Basketball – a fawning piece of hagiography that worshiped at the feet of Kobe Bryant – won.  Even my least favorite of this year is better than that egregious work as far as I’m concerned.  Regardless of who wins, we’re guaranteed to top last year in this category.   That’s good news!  Interestingly 4 of the 5 shorts this year explore the very the same theme: child/parent relationships.  That makes this lot feel kind of samey.  None of them are revolutionary,  but they all still offer modest delights.  I’m a little surprised that Bilby, a computer-animated short from DreamWorks Animation, didn’t garner a nomination.  It’s worth checking out.

I’ve ranked each one in order from best to worst.  (They’re all enjoyable.)

 

BAOUSA/8MINS/2018
Director: DOMEE SHI
bao-rgb-s110_19c.pub16.172_wide-fac99c3e9c47382001ee1db485313d5fe8a4a35f-s800-c85 (1)
Pixar is on a roll.  They’ve received a nomination every year since 2015’s Sanjay’s Super Team. Their annual tradition continues with their first female-directed short.  This was originally shown right before Incredibles 2 so if you’ve seen at least one of these nominees, chances are it’s this one.  This is an amiable little delight that details a mother’s love for her son and her resulting feelings when he leaves home.  Back in June 2018 when I first saw it, I didn’t’ fully grasp the allegorical nature of this account, but over time it has gradually grown on me.  I now understand it as a depiction of “empty nest syndrome”.  Given it’s from Pixar, you already know it’s visually stunning.  Even comprehensive food research went into depicting the art of dumpling making.   My most treasured of the five nominees and also my pick for the likely winner.

 

WEEKENDS
USA/15MINS/2007
Director: TREVOR JIMENEZ
Weekends
The story of a little boy who must divide his time between his recently divorced parents. Weekdays are with mother in Ontario.  Weekends are with his father in Toronto.  Director Trevor Jimenez draws on his own childhood.  His unique take clearly has the authenticity of someone who has actually lived through this experience.  That’s not to say the other nominees don’t as well, but his approach to this subject is especially unique.  We get a really nice depth into the life of each parent.

 

LATE AFTERNOON
IRELAND/10MINS/2017
Director: LOUISE BAGNALL
Late
Profile of an elderly woman (voiced by actress Fionnula Flanagan) who copes with dementia.  There’s also room for the adult daughter that cares for her.  The production comes from Kilkenny-based Cartoon Saloon who brought us the feature films The Secret of Kells, Song of the Sea and The Breadwinner.   All three are beautifully animated gems.  It’s a touching – if simplistic – portrait.   Memories of the past can often be recalled by way of their association to day-to-day occurrences in the present.  This chronicle has a moving conclusion.

 

ONE SMALL STEP
USA & CHINA/8MINS/2018
Directors: ANDREW CHESWORTH and BOBBY PONTILLAS
Srep
Produced by Taiko Studios, this is the story of a father and his daughter who longs to explore space by becoming an astronaut.  Little girl Luna and her loving father Chu have a close relationship that’s worth celebrating.   It’s a saccharine sweet connection for people who like extra syrup, powdered sugar and chocolate sprinkles with their pancakes.

 

ANIMAL BEHAVIOUR
CANADA/14MINS/2018
Directors: ALISON SNOWDEN and DAVID FINE
Animal
This was released in French as Zoothérapie and that’s actually a more clever title.  This is the only one not about children.   Interesting – albeit meandering – take on animals visiting the psychiatrist in a group therapy session.  They seek to rid themselves of innate behaviors that have become a problem in their lives.  For example, a praying mantis can’t keep a man because she eats her mates.  Some chuckle-worthy moments, but it drags after a while.  I suppose the underlying subtext is that we as humans are animals as well.

02-13-19

2017 Oscar Nominated Short Films (Part 2 of 2)

Posted in Awards, Shorts with tags on February 22, 2017 by Mark Hobin

For the past decade, ShortsHD has made all three of the Oscar-nominated short film programs (animated, live action, documentary) available to audiences around the world.

Live Action

The live-action compilation was released to theaters on February 10th, giving the public the opportunity to see the nominated entries before the Oscar Awards ceremony on February 26th.

In addition to the theatrical release, the nominated live-action and animated shorts will also be accessible online ( iTunes, Amazon Instant Video) and on VOD/Pay-per-view Platforms (AT&T, Comcast, DIRECTV, etc) starting February 21st.

Recently the award for the live-action segment has gone to the more upbeat title in a sea of misery.  The lighthearted touch of last year’s winner Stutterer stood out from the pack. It’s virtually impossible to predict which of these will win this year, but I’ve listed them in order of my own personal preference from best to worst.

Interestingly, unlike in the other short categories (docs and animation), there’s nary a US or UK production in the bunch.

 

Timecode
SPAIN/15MINS/2016
Director: Juanjo Giménez Peñ
 photo Timecode_zpsg6w8x9eb.jpg
Luna and Diego are car-park security guards, working class stiffs stuck in a dull job. A subtle animosity between boss and employee is felt but never explicitly stated. However, the human spirit has a way of making the best of a dreary situation and these two enliven their jobs in the most curious of ways. Not going to explain what happens because it’s these unexpected developments that make this tale so enchanting. A real charmer.

 

Sing (Hungarian: Mindenki)
HUNGARY/25MINS/2016
Director: Kristof Deák
 photo Sing2_zpsq6a8tohv.jpg
Sweet drama about Zsofi, a new girl trying to fit in at school. She’s ecstatic to become a member of the school’s famous choir. Excitement turns to disillusionment, however, when she discovers the inspirational choir director isn’t quite as wonderful as she thought. Crowd-pleasing tale builds to an inspiring conclusion.

 

La Femme et le TGV (English: The Railroad Lady)
SWITZERLAND/30MINS/2016
Director: Timo von Gunten
 photo TGV_zpsmyqxcigf.jpg
Elise Lafontaine waves at the express train that passes her house every day. One day, she discovers a letter that has been thrown from the high-speed rail service in her garden. She starts a promising correspondence with him as she imagines a budding romance with the conductor.

Whimsical fluff offers a restrained performance by English actress (and 70s muse) Jane Birkin. Her aging bakery owner doesn’t quite seem “all there” but nevertheless this optimistic tale has its moments.

 

Ennemis intérieurs (English: Enemies Within)
FRANCE/28MINS/2016
Director: Sélim Aazzazi
 photo ennemis-interieurs_zps44k33jvm.jpeg
The conversation takes place almost entirely inside the claustrophobic room of an immigration office. This two-hander is a nice showcase for actors Hassam Ghancy as the Algerian wishing to become a French citizen and Najib Oudghiri as a focused interrogator. Heavy handed story concerning immigration certainly has its finger on the current political conversion.

 

Silent Nights
DENMARK/30MINS/2016
Director: Aske Bang
 photo SilentNights_zps7aqqejka.jpg
The chronicle starts out as a simple love story between different cultures. Then manages to pile on immigration, racism, poverty, homelessness, alcoholism, romance, adultery and a pregnancy in a scant 30 minutes. This plot has so many ridiculous twists at the end, it’s impossible to care. Initially appealing main characters become unsympathetic. Shame after a promising start.

2017 Oscar Nominated Short Films (Part 1 of 2)

Posted in Animation, Awards, Shorts with tags on February 21, 2017 by Mark Hobin

For the past decade, ShortsHD has made all three of the Oscar-nominated short film programs (animated, live action, documentary) available to audiences around the world.

Animation

The animated compilation was released to theaters on February 10th, giving the public the opportunity to see the nominated entries before the Oscar Awards ceremony on February 26th.

In addition to the theatrical release, the nominated live-action and animated shorts will also be accessible online ( iTunes, Amazon Instant Video) and on VOD/Pay-per-view Platforms (AT&T, Comcast, DIRECTV, etc) starting February 21st.

The animated segment is often my favorite of the shorts programs because they are the most succinct.  They elicit both joy and sadness, sometimes in the span of 5 minutes.

I’ve ranked them in the order from best to worst.

[Side Note: How Disney’s delightful Inner Workings got snubbed is beyond me.  The animated short aired theatrically before Moana so millions saw it.  Perhaps it was too thematically similar to Pixar’s 2015 feature Inside Out.]

 

Piper
USA/6MINS/2016
Director: Alan Barillaro
 photo Piper_zpszaxfgswh.jpg
Piper was released alongside Pixar’s Finding Dory last year. Given that it made $486 million, chances are you’ve seen this one already.

Not much story to speak of. A baby sandpiper learns to overcome her fear of water. So why is this my favorite short?  1), The photo realism is rendered so perfectly that it transcends current animation. Director Alan Barillaro utilizes new technology to advance the medium forward with visuals we haven’t seen before. 2.) Its buoyant atmosphere stands out in this mostly downbeat collection of nominees.  Piper is uplifting and it made me feel better than anything in this largely depressing lot.

 

Pearl
USA/6MINS/2016
Director: Patrick Osborne
 photo Pearl_zpsd0nma7sg.jpg
A father and his daughter travel across the country in their beat up broken down hatchback affectionally known as Pearl. He’s a musician and the story follows the pair through the years as they grow older. A reflection on how our lives change and the way our talents are learned from those that mold us. A poignant tale.

Director Patrick Osborne took home the 2015 Oscar for Best Animated Short with Feast.

 

Blind Vaysha
CANADA/8MINS/2016
Director: Theodore Ushev
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Vasyha is born with one green eye and one brown eye. That’s harmless enough but it gets worse. A terrible curse prevents the girl from living in the present. Her left eye sees only the past. Her right, only the future. Grim fable has a clear moral. Savor the present moment! The fantasy is captivatingly odd but bleak.

 

Pear Cider and Cigarettes
CANADA & UK/35MINS/2016
Director: Robert Valley
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This nihilistic tale concerns a hard-living man named Techno Stypes. He starts out as a golden boy athlete but wastes his life away as a rabid alcoholic. Techno’s behavior soon demands he must get a liver transplant. Vancouver animator Robert Valley narrates the autobiographical tale about his childhood buddy.  

The short has the feel of a graphic novel and embraces a decidedly rock-and-roll vibe. Lots of music is played throughout. It all make sense when you learn that Valley is known for his work on the Gorillaz music videos.  Style to spare, but the story left me cold.

 

Borrowed Time
USA/7MINS/2015
Directors: Andrew Coats and Lou Hamou-Lhadj
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An old Sheriff returns to the scene of an accident that has haunted him his entire life. Directors Lou Hamou-Lhadj and Andrew Coats have both worked together at Pixar so you can best believe the animation looks good.  However, this is far darker than anything that studio has ever produced. 7 minutes really isn’t enough time to properly convey the emotional depth of this grave tale.

Points for the score by Oscar-winning composer Gustavo Santaolalla (Brokeback Mountain) though.

2016 Oscar Nominated Short Films (Part 3 of 3)

Posted in Awards, Documentary, Shorts on February 7, 2016 by Mark Hobin

In honor of the Academy Awards, ShortsHD has once again made all three (animated, live action, documentary) of the the Oscar Nominated Short Film programs available to audiences around the world.

 

Documentary

The documentary short collection was released to theaters on January 29th, a month before the Oscars presentation on February 28th. However its availability is much more limited than the animated and live action categories. Check here to see which of your local theaters is playing them: http://www.shorts.tv/theoscarshorts/theatrical-release/

Three of the features have been acquired by HBO Documentary Films and will also premiere on the cable channel on each of the following dates:

A Girl in the River: The Price of Forgiveness – March 7, 2016
Body Team 12 – March 14, 2016
Claude Lanzmann: Spectres of the Shoah – May 2, 2016

Chau, Beyond The Lines and Last Day of Freedom are both currently streaming on Netflix.

I’ve ranked the shorts in order of how effective they are in presenting their individual stories. This category always seems to favor depressing subjects. This is a pretty downbeat lot. If you do decide to see these one after another, be sure to go with a loved one so you can hug each other after it’s all over.

__________

A Girl in the River: The Price of Forgiveness
PAKISTAN/40MINS/2015
Director & Producer: Sharmeen Obaid-Chinoy
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This is a disturbing report concerning “honor killings” in Pakistan. The practice is defined as the homicide of a family member due to a dishonor believed to have been brought upon the family by the victim. The murder is seem as a way to restore reputation back to the family.

Director Sharmeen Obaid-Chinoy is a Pakistani filmmaker whose similarly themed documentary short Saving Face won the award in this category in 2012. This is the story of Saba, a 18 year old Pakistani woman who fell in love with a man. They ran away to get married. She is brutally beaten, shot and left for dead by her own father and uncle. However she miraculously manages to survive and bear witness to what happened to her. In a year with some pretty cumbersome titles, A Girl in the River: The Price of Forgiveness is the most unwieldy, but it’s also the most affecting. (8/10)

 

Last Day of Freedom
USA/32MINS/2015
Directors & Producers: Dee Hibbert-Jones & Nomi Talisman
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The most offbeat of all the documentaries, this account uses filmed footage of Bill Babbitt rendered in black and white animation. He remembers his brother Manny, who suffered brain damage from a childhood accident. Later Manny endured two tours of duty in Vietnam which further compounded his mental health issues.

Not sure if it’s the animated style or his compelling words, but I was transfixed by Bill’s recounting his brother’s story. What happens next is dreadful. Bill struggles between doing the right thing and the familial bond with his sibling. Powerful and heartbreaking. (7/10)

 

Chau, Beyond the Lines
USA/VIETNAM/34MINS/2015
Director: Courtney Marsh
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This chronicle begins on a sorrowful note as a story regarding a Vietnamese care center for children born with birth defects. The U.S. use of Agent Orange in Vietnam over 40 years ago is the cause. However the sad narrative develops into an inspirational saga about one particular teenager, Chau, who dreams of becoming an artist.

The record follows Chau for several years and we can see him develop his talent over time. It’s a touching (and ultimately uplifting) portrait. (6/10)

 

Body Team 12
LIBERIA/13MINS/2015
Director: David Darg
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The West African nation of Liberia experienced an epidemic of Ebola virus disease in 2014 and 2015. This chronicle focuses on Garmai Sumo, the only female member of a medical team whose job is to prevent the spread of disease by removing the bodies after they have died.

Director David Darg is a humanitarian first responder known for his documentary work in natural disasters and wars. His approach is to present the outbreak from her perspective and the unique challenges she faces when dealing with this work. For example, the deceased cannot be given a grave without a severe risk of contamination. She must convince family members to allow her to take their dearly departed loved ones. Direct contact with the body is dangerous so we see the precautions she and her team take to protect themselves. It’s a window into a very difficult job. (6/10)

[I could see any one of these nominees taking the award, but this is the apparent front-runner.]

 

Claude Lanzmann: Spectres of the Shoah
USA/40MINS/2015
Director: Adam Benzine
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Shoah was a landmark 9+ hour documentary covering the Holocaust released in 1985. This explores director Claude Lanzmann’s arduous 12-year endeavor to put together that seminal work.

This reexamines why it is such an important film about the Holocaust. In essence, a 40 minute trailer that persuades the audience to watch the original feature. (6/10)

2016 Oscar Nominated Short Films (Part 2 of 3)

Posted in Animation, Awards, Shorts with tags on February 3, 2016 by Mark Hobin

In honor of the Academy Awards, ShortsHD has once again made all three (animated, live action, documentary) of the the Oscar Nominated Short Film programs available to audiences around the world.

Live-Action

Along with the animated program, the live action collection was released to theaters on January 29th, a month before the Oscars presentation on February 28th.

In addition to the theatrical schedule, the nominated live action and animated shorts will also be accessible online and on VOD/pay-per-view platforms.

Where the animated segment encompasses the gamut of emotion – joy to sorrow, the live action segment is much more mired in misery. This category is arguably the hardest of all the Oscar categories to call. None of the shorts star famous people, as in previous years’ winners like The Phone Call (Sally Hawkins, Jim Broadbent) or The Shore (Ciarán Hinds). This makes forecasting the winner even more difficult.

I’ve ranked the shorts in order of best to worst in terms of my own personal taste. However I’ll attempt to predict the prizewinner too.

 

Everything Will Be Okay (Alles Wird Gut)
GERMANY/AUSTRIA/30MINS/2015
Director, Writer & Producer: Patrick Vollrath
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The uncharacteristically upbeat title belies a heartbreaking tale. A divorced father picks up his eight-year-old daughter, Lea, for a day of fun. They spend every second weekend together, but after awhile she senses a change in the mood that signifies this outing is different.

I love films where the audience slowly develops an understanding of the situation. The story just pulls you in. It’s rather simple in scope, but it extracts emotion even better than a production that is four times as long. My absolute favorite of the bunch, which means it has absolutely zero chance of winning. (10/10)

 

Stutterer
UK/IRELAND/12MINS/2015
Director: Benjamin Cleary
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Greenwood (Matthew Needham) is a shy typographer with a severe speech impediment but a passionate spirit. His internet relationship with a woman named Ellie (Chloe Pirrie) has progressed nicely. After six months of online chatting, she is ready to meet face to face, but he is loath to reveal the truth about himself. He worries whether she will lose interest.

Irish director Benjamin Cleary recounts a succinct and well crafted fable about self doubt. Who can’t identify on some level with that dilemma? Scores extra points for taking the least amount of time to tell a sweet story. Ends on a clever note that makes everything worthwhile. A real charmer. (9/10)

 

Day One
USA/25MINS/2014
Director: Henry Hughes
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American woman who has joined the United States military as an interpreter is on her first mission in Afghanistan. However she’ll be asked to do a lot more than just translate before the day is over.

Director Henry Hughes spent five years as a paratrooper conducting two combat tours in Afghanistan. This film was based on an experience with his own female interpreter. The way gender and religion must dictate behavior in Muslim culture, is addressed. The first hand approach is uniquely told from an insider’s perspective. (7/10)

 

Shok (Friend)
KOSOVO/UK/21MINS/2015
Director & Writer: Jamie Donoughue
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The place is war torn Kosovo in 1998. The friendship of two children, Petrit and Oki, is tested when one enters into a dangerous business relationship with enemy Serbian soldiers who now occupy the territory.

Every year it seems there is at least one entry where war and children are united in a depressing narrative. Shok satisfies that niche which is why I’m predicting it will take the award. The drama is competent, but predictably dismal up to and including the extreme “shock” ending. (6/10)

 

Ave Maria
PALESTINE/FRANCE/GERMANY/15MINS/2015
Director: Basil Khalil
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A family of religious Israeli settlers has their car break down in a rural area of the West Bank. They seek the assistance of five nuns in a convent in the middle of the Palestinian territories. The nuns have taken a vow of silence. The Jewish family are forbidden to even use a phone on the sabbath. Culture clash comedy mines humor out of their difficulty to communicate.

Not bad, but it’s essentially a one-note joke built around a convoluted setup. My least favorite which makes it ironic that most prognosticators have selected as the odds on favorite to win. It’s a bit more lighthearted in tone which I suppose makes it stand apart from the more intense stories. (6/10)

01-28-16